Writing by Neil Kulkarni
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F.U.N.K BLOG SINGLES BITES FEB 2016: ADELE
ADELE WHEN WE WERE YOUNG (XL)
Adelewhoisworth£50million with ÜbersturmCuntFuhrer Nick 'Harvester Of Sorrow' Grimshaw.
Thank god for the Britschool eh? Easy to forget that Adelewhoisworth£50million was in the same year-group as Jessie J and Leona Lewis. We should always count our lucky stars that there wasn't a Columbine-style mass-shooting at the Britschool that year or the consequences for British pop might have been devastating. Of course, like you, my favourite Adelewhoisworth£50million song is the one that goes 'I'm mortified to have to pay 50 percent/ I use the NHS, I can't use the public transport any more/Trains are always late, most state schools are s*** and I've gotta give you, like, four million quid - are you having a laugh?/When I got my tax bill in from 19, I was ready to go and buy a gun and randomly open fire.' In the video for this new song from her multi-platinum latest album we see Adelewhoisworth£50million setting up with her musicians and backing singers, all tastefully clad in neat and good-quality dark garments from the better high-street chains, in Church studios. All the musicians play with sensitivity and gentleness and in good-quality dark garments from the better high-street chains and Adelewhoisworth£50million puts alot of herself into the performance of the song, which appears to be about lost youth, impending mortality, the kind of vague and interminable self-pity which has made her such a star for the Great Shittish Public, those fucking dimwitted paramecium for whom the fact she doesn't mime is some kind of cause for celebration. At the end Adelewhoisworth£50million has a giggle with the band, proving what a down-to-earth person she still is and the whole thing is so deeply fucking boring you're almost forced to start idly dreaming of the doors to the studio suddenly locking and a slow accidental seepage of toxic gas rendering everyone inside initially paralysed, eventually choking to a grim asphyxiated death - crucially not able to ever again inflict their fuckawful musical politesse on anyone ever again. Daydream believer . . . heartbreaking when you snap back innit. Music without a single iota of grit, grace or guile about it as you'd possibly expect from Adelewhoisworth£50million and her band wearing good-quality dark garments from the better high-street chains. Truly, this is Adelewhoisworth£50million's and band who wear good-quality dark-garments from the better high-street chains' TIME. We're all just spectators.
This was my dream. And it was so vivid it really happened.
I hired a van. The expense was a concern but I needed the capacity. First the long drive north to Middlesborough. I knew he'd be at home, visiting relatives. Made sure my HeadBag was packed. Blindfolds and ballgags. Rope. Some starved, stroppy badgers. Maxi-pack of chloroform-seeped bogroll from Costco. Masking tape. As I eased onto the M1 I told myself again the story of how it was developed from the need for waterproof ammunition casings in WWII. I had to, I was bored, and it's a long schlep up to 'boro. Idly, after securing a mortgage for a bacon roll at Tibshelf, I had an argument with my other personality about whether Middlesborough was in North Yorkshire, County Durham or Teeside.
Nothing got resolved. A plain-clothes officer pulled me off in the hardshoulder near Malton and issued stern words about punching myself while driving. No hilarity did ensue. I needed to focus. This was a serious business. By noo…
(photo by Pat Pope, full text) MANIC STREET PREACHERS ASTORIA, LONDON
SORRY, lifelong fan, but I’m a new convert. I got into them
a week ago and here I am.
(They start with “Faster and, after the dub and horrorcore
they’ve played, it jarrs and fits perfectly.)
OK, see it ain’t attitude cos anyone can do that, just cock
a snook and suck your cheeks. It ain’t glamour. Glamour is boring. Glamour is
loud pretty people who hug, hug, hug, giggling at your geek self all night. And
it ain’t rock’n’roll; it was your rock’n’roll that made a nigger-hater the
King, your teddy boys who Paki-bashed for Mosley, Notting Hill 1958, your rock’#n’roll
build on SAMBO DON’T SELL. I ain’t interested and the Manics are way beyond
(“Yes” is Stjepan Mestrovic’s “Balkanisation Of The West”
turned punk anthem, as if it could be any more punk. No higher compliment
The four founding
points of Manics songs – one: modern life is untenable. Two: no one ever gets
used to loneliness. Three: if tr…
Metal, like hip hop, has had a fucking great 2017. Like hip hop its manifold joys can mainly be found away from the mainstream, certainly light-years distant from the kinds of boybands-with-guitars that seemingly dominate Kerrang-style metal culture. So most of my favourite metal from this year has come from slightly off the beaten track (so much great stuff coming out of Italy this year), much of it found via Bandcamp and those metal bloggers who are so ably covering the anti-scene at the moment.
Needs saying actually - metal, like hip hop, is one area of music where blogging and word-of-mouth is all the guidance I need anymore - haven't been NEAR a metal mag this year and don't feel like I've missed anything. The bloggers care, and know their stuff so thanks to Angry Metal Guy and Cvlt Nation and No Clean Singing and Heavy Blog Is Heavy and The Sludgelord for keeping me vaguely in touch with the best metal in 2017, they've been invaluable.