Writing by Neil Kulkarni
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F.U.N.K BLOG SINGLES BITES FEB 2016: ADELE
ADELE WHEN WE WERE YOUNG (XL)
Adelewhoisworth£50million with ÜbersturmCuntFuhrer Nick 'Harvester Of Sorrow' Grimshaw.
Thank god for the Britschool eh? Easy to forget that Adelewhoisworth£50million was in the same year-group as Jessie J and Leona Lewis. We should always count our lucky stars that there wasn't a Columbine-style mass-shooting at the Britschool that year or the consequences for British pop might have been devastating. Of course, like you, my favourite Adelewhoisworth£50million song is the one that goes 'I'm mortified to have to pay 50 percent/ I use the NHS, I can't use the public transport any more/Trains are always late, most state schools are s*** and I've gotta give you, like, four million quid - are you having a laugh?/When I got my tax bill in from 19, I was ready to go and buy a gun and randomly open fire.' In the video for this new song from her multi-platinum latest album we see Adelewhoisworth£50million setting up with her musicians and backing singers, all tastefully clad in neat and good-quality dark garments from the better high-street chains, in Church studios. All the musicians play with sensitivity and gentleness and in good-quality dark garments from the better high-street chains and Adelewhoisworth£50million puts alot of herself into the performance of the song, which appears to be about lost youth, impending mortality, the kind of vague and interminable self-pity which has made her such a star for the Great Shittish Public, those fucking dimwitted paramecium for whom the fact she doesn't mime is some kind of cause for celebration. At the end Adelewhoisworth£50million has a giggle with the band, proving what a down-to-earth person she still is and the whole thing is so deeply fucking boring you're almost forced to start idly dreaming of the doors to the studio suddenly locking and a slow accidental seepage of toxic gas rendering everyone inside initially paralysed, eventually choking to a grim asphyxiated death - crucially not able to ever again inflict their fuckawful musical politesse on anyone ever again. Daydream believer . . . heartbreaking when you snap back innit. Music without a single iota of grit, grace or guile about it as you'd possibly expect from Adelewhoisworth£50million and her band wearing good-quality dark garments from the better high-street chains. Truly, this is Adelewhoisworth£50million's and band who wear good-quality dark-garments from the better high-street chains' TIME. We're all just spectators.
(photo by Pat Pope, full text) MANIC STREET PREACHERS ASTORIA, LONDON
SORRY, lifelong fan, but I’m a new convert. I got into them
a week ago and here I am.
(They start with “Faster and, after the dub and horrorcore
they’ve played, it jarrs and fits perfectly.)
OK, see it ain’t attitude cos anyone can do that, just cock
a snook and suck your cheeks. It ain’t glamour. Glamour is boring. Glamour is
loud pretty people who hug, hug, hug, giggling at your geek self all night. And
it ain’t rock’n’roll; it was your rock’n’roll that made a nigger-hater the
King, your teddy boys who Paki-bashed for Mosley, Notting Hill 1958, your rock’#n’roll
build on SAMBO DON’T SELL. I ain’t interested and the Manics are way beyond
(“Yes” is Stjepan Mestrovic’s “Balkanisation Of The West”
turned punk anthem, as if it could be any more punk. No higher compliment
The four founding
points of Manics songs – one: modern life is untenable. Two: no one ever gets
used to loneliness. Three: if tr…
OK, a week since the vote and hey, I know the drill. Similar to those habits you kicked back into after 9-11, after 7-7. Heads down. Don't notice the people crossing the road to avoid you. Don't register any reaction to the shop assistants who drop the change with a panic'd repulsion into your foul brown palm. Keep your eyes down, no eye-contact with anyone. Get through the street to safety because the street is a place where you are a target again now, just as you were as a child. Don't ever ever relax again because that moment where your vigilance slips, when you start doubting your own paranoia, is the moment when the van draws up and three pink faces look your way grinning, when the kids see their chance to have some fun, when the guy on his bike who you hadn't thought of leans into the pavement to spit his venom, when the words will come unbidden and deafening, those words that won't just fuck up your day but will haunt your sleep, …
Top Eight Worse FUCKING Ukelele FUCKING Breathy-Voiced FUCKING Covers For FUCKING Adverts
I can't think of any more because I don't want my head to explode with rage.
1. Dogs Trust - 'I Only Want To Be With You 2. Renault Zoe - That's Entertainment 3. McDonalds - Rhythm Of The Night 4. T-Mobile - Teenage Kicks 5. Lloyds Bank - Mad World 6. Kia - Ever Fallen In Love 7. John Lewis - Please Please Please Let Me Get What I Want 8. Chanel No.5 - You're The One That I Want .
My uke-hate I think came to a peak with an ad from last year. I blamed Lily Allen for the mannered vocal unmanneredness, Mumford & Sons for the fucking ukeleles, David Cameron for the ideological basis for it all, but it was AXA Insurance I blamed for that appaling cover of 'Little Things Mean A Lot" and they will therefore burn for all eternity in the skin-flaying flames of hell, alongside Dave, Lily and The Mumfucks. Artists (esp. Britschool-alumni-style priveliged CatPowerfan-feckers like …